About the Role: Responsibilities, Skills, and Requirements
Introduction Paragraph
Ever wondered what it’s like to turn a liquid into something people want to keep forever? That’s the kind of magic we’re chasing. We’re on the hunt for an experienced Resin & Epoxy Artist who isn’t just comfortable with the medium, but genuinely obsessed with it. This isn’t a beginner’s gig or a weekend hobbyist situation — we need someone who understands the chemistry, the patience, and the artistry required to produce work that feels polished, intentional, and undeniably high-end. If you’ve spent countless hours perfecting your pours and mastering the cure, this might be the collaboration you’ve been waiting for.
About the Company
We’re a creative studio that sits somewhere between an art collective and a boutique manufacturer. We produce custom pieces for interior designers, corporate clients, and individuals who want something that didn’t come off a factory line. Our workspace is part lab, part gallery — there’s always a project in progress, resin curing in the corner, and music playing somewhere in the background. We’re not a huge corporate machine; we’re a tight-knit team that values craftsmanship, clean workspaces (mostly), and people who take pride in the details others might overlook. We’re at a point where our order volume is growing faster than our bench capacity, which is exactly why we’re reaching out to someone like you.
What You’ll Be Doing
- Silicone Mold Casting: You’ll work with a variety of molds — some we’ve designed in-house, others we’re still prototyping. You’ll need to prep, pour, and demold with care so every piece comes out crisp and bubble-free.
- Epoxy Resin Mixing & Pouring: Precision matters here. You’ll be responsible for accurate measurements, proper degassing, and knowing exactly when to pour for optimal flow and finish.
- Color & Decorative Effects: This is where your creative voice comes in. You’ll experiment with pigments, metallic powders, alcohol inks, and other additives to create depth, movement, and visual interest in each piece.
- Finishing Work: Sanding, polishing, and edge refinement — the stuff that separates professional work from amateur attempts. You’ll bring pieces to a flawless, glass-like finish that clients can feel as much as see.
- Collaborative Brainstorming: We like fresh eyes. You’ll have the chance to weigh in on new product ideas, suggest techniques we haven’t tried, and help refine our existing designs.
What You’ll Bring
Must-Haves:
- Proven Experience: At least 2–3 years of hands-on work with resin and epoxy, ideally in a production or commission-based setting.
- Portfolio or Photos of Your Work: We’re visual people — show us what you’ve made. Finished pieces, in-progress shots, even your happy accidents. We just want to see your range and your style.
- Technical Know-How: You understand resin-to-hardener ratios, working times, temperature effects, and why bubbles happen (and how to prevent them).
- Finishing Skills: You’re comfortable with sanding, wet polishing, and applying topcoats to achieve that professional, gallery-quality finish.
- Reliability: If you say a piece will be ready by Friday, it’s ready by Friday. Deadlines are part of the deal here.
Nice-to-Haves:
- Experience with pressure pots or vacuum chambers.
- Familiarity with different resin brands and their quirks.
- Basic mold-making skills (we can teach this, but it’s a bonus if you already know).
Not sure you tick every box? We’d still love to hear from you. Sometimes the right attitude and raw talent matter more than a perfect checklist.
Why You’ll Love Working Here
- Creative Freedom: You won’t just be executing someone else’s vision — you’ll have input on designs, colors, and techniques. We trust our artists to bring their own flavor to the work.
- Flexible Scheduling: We care about output, not punching a clock. As long as deadlines are met and quality stays high, you’ve got room to structure your days in a way that works for you.
- Quality Materials: No cheap resins or compromised supplies. We invest in the good stuff because it makes your job easier and the final product better.
- Room to Grow: This could start as a freelance collaboration and evolve into something more permanent if the fit is right. We promote from within and reward people who show initiative.
- A Team That Gets It: You’ll be working with people who understand why you obsess over a perfectly smooth surface. No need to explain yourself here.
At the end of the day, we’re looking for someone who treats resin like a craft, not just a job. If that sounds like you, we’d genuinely love to see what you’ve created.
Common Interview Questions and Tips
To help you prepare and feel confident, here are some questions you might encounter during the interview process for this role.
Walk me through your process for ensuring a pour comes out completely bubble-free — from mixing to demolding. Where do most people go wrong, and what do you do differently?
Tell me about a time a piece you were working on failed — maybe it cured tacky, overheated, or had a major bubble issue right in the middle. How did you troubleshoot it, and what did you learn from that experience?
You're working with a brand-new resin you've never used before. How would you go about testing it before committing to a client piece? What variables would you pay attention to?
How do you handle the balance between creative experimentation and the practical demands of a production deadline? Can you give me an example of a time you had to sacrifice an idea for the sake of getting a piece out on time?
We're working on a custom tabletop for a designer client, and they want a deep ocean effect with realistic depth and movement. How would you approach the layering, color placement, and timing of the pours to achieve that look?
Walk me through the most complex finishing job you've done — the sanding and polishing stages, I mean. What made it tricky, and what did you do to get that glass-like final surface?
Tell me about a time you had to explain a technical limitation to a client or designer — maybe they wanted an effect that wasn't physically possible with the materials, or they had an unrealistic timeline. How did you handle that conversation?
We work in a shared studio space where there are always multiple projects curing at once. How do you keep your workflow organized so you're not bumping into someone else's work or creating a safety hazard with your materials?
What draws you to resin as a medium? There are plenty of other artistic paths — what is it about this material that keeps you coming back to it?
Describe a time you brought a new technique or approach to a project that wasn't part of the